Zeiss has finally given the green light to its full-frame compact camera Zeiss ZX1. Rumors about the launch of Zeiss’ first compact camera began more than a year ago, and now it’s safe to say that the rumors have come true and it’s available for pre-order. The new Zeiss ZX1 enters the world of compact […]
The new lenses Supreme Prime Radiance lenses from Zeiss come from the Prime Supreme family, but unlike these, they have a blue T* coating. Thanks to this coating, images withmore controlled flarescan be achieved without losing the secondary information implied by these aesthetic effects. Often cinematographers have to deal with these lighting intrusions on the […]
Another year we have the pleasure of having one of the most important audiovisual equipment rental companies in the industry, Falco Films. We have been trusting them for many years and for this occasion, we wanted to make sure we work with the best. During the Data Wangler and DIT course we will be able […]
The ZEISS Otus 100 mm f/1.4 is the latest addition to the Otus line. The 100 mm joins the 28 mm f/1.4, 55 mm f/1.4 and the 85 mm f/1.4. The Otus series of lenses are all manual focus lenses and are available for Canon EF and Nikon F. With adapters they can easily be […]
Faced with the increasing use of cameras with full-frame sensors, Zeiss has responded with a set of new prime lenses aimed at the high-end market, promising both image quality and lightness in equal measure. The new lens family, titled Supreme Primes, encompasses a set of 13 different focal lengths between 15mm and 200mm, and a […]
We are only two weeks away from the start of the new edition of our “DIT course and…beyond downloads and dailies“. As we already informed you in this post, during the course we will be using the Panasonic VariCam 35 camera to test live color correction. Now we are happy to inform you that thanks […]
Tomorrow begins the BIT Broadcast at IFEMA in Madrid, where the latest developments in audiovisual technology will be shown. Among the 224 companies, from 25 countries, we can find the VCI (Video Cine Import) stand. Luis Ochoa, director of 709 Media Room, and Julio Gómez will be there showing the new […]
Ovide, a rental company for digital cinema and television productions, has decided to increase its catalog by adding new optics and adapters. Opticians Ovide’s new bets cater to both the PL and EF mount markets. We can find optics that they already had previously, and now they have increased the quantity […]
In the daily work of the camera team we hear every day a multitude of types and brands of lenses. Zeiss, Digiprime, Masterprime, Ultraprime, Cooke, Anamorphic, etc. Is the only difference between them their brightness, can they all give 4K resolution, and 8K for UHDTV, what are the different “textures” of each lens, what is […]
In the daily work of the camera team we hear every day a multitude of types and brands of lenses. Zeiss, Digiprime, Masterprime, Ultraprime, Cooke, Anamorphic, etc. Is the only difference between them their brightness, can they all give 4K resolution, and 8K for UHDTV, what are the different “textures” of each lens, what is […]
