Red Giant has released version 4.1.2 of its audio and video synchronization software PluralEyes. This release adds support for the recently introduced Adobe CC 2017, in this case for the Premiere Pro editor, as well as a number of enhancements and added features. In addition to Premiere, Vegas users will also be happy to know […]
This week RED Digital Cinema, the renowned developer of digital cinema cameras, began marketing its two latest models, RED Epic-W and Weapon 8K. Both feature the compact and modular DSMC2 design, and incorporate the new Helium sensor. This sensor is the latest technology developed by RED, and achieves a higher resolution (8K) in Super 35, […]
Yesterday came out the news of a new version for the Media Composer editing system, which renews its ingest method and comes with many improvements for audio work. As we said, one of the major new features is that ingest is done through the Source Browser, which allows you to import or link files from […]
Panavision has unveiled the first details about its new Millennium Digital XL camera, a joint development between RED, Panavision and Light Iron. RED has been in charge of the sensor part, as this camera has a Dragon 8K, full frame 35mm sensor. Of course, it must be taken into account that in order to cover […]
RED has released a firmware update that enables recording in the DNxHD and DNxHR codecs for its DSMC2 line of cameras, which includes Weapon, Scarlet-W and Raven. These codecs are encapsulated in an MXF and facilitate the entire post-production process, as they can be imported directly into Avid without the need for any transcoding. Another […]
Red Digital Cinema has announced an update that will support DNxHD and DNxHR codecs within the DSMC2 camera lineup, which includes the Weapon, Scarlet-W and Raven. Avid codes are capable of working with HD (the DNxHD), 2K, 4K and higher resolutions (the DNxHR for these larger resolutions). In this way, Red makes it easier for […]
How was your weekend? We woke up to the news that RED has announced its new Scarlet-W 5K. It falls into the DSMC2 line, between the 6K Weapon ($49,500) and the 4.5K Raven ($5,950). While the Red Raven camera was designed with the idea of easy mounting on drones and gimbals, the Scarlet-W is intended […]
As you know in our section “Special Content“section you can find a lot of links that give access to recorded material in practically all formats, codecs and resolutions currently available. Today, if you go to the RED Epic section, you will see that we have added several new resolutions: 3840 x 2160 3072 x 1620 […]
Just a month ago we learned that RED was adding the new RED Raven model to its camera lineup, with a Dragon 4K sensor and 4K RAW (4096 x 2160) and ProRes 2K recording capabilities. Now we have new news, and is that through its forum the company has communicated an update at no additional […]
