Sirui starts the year by announcing a new anamorphic lens, this time it’s a 24mm F2.8 1.33x, which added to the previous 2 completes a set of 3 anamorphic lenses with a 35mm, 50mm, and now the 24mm. The new Sirui anamorphic is designed to stretch the horizontal field of view even further, up to […]
A new optics company called Foton Optics was recently born, and they have already designed their first lens, a 25-300mm T2.8 cine zoom. Foton essentially amounts to a rebranded entity of DZO. DZO is another Chinese lens manufacturer that primarily makes industrial lenses. The Foton 25-300mm T2.8 is intended to be a cheaper alternative to […]
The new Fujinon lenses are now ready to meet the new “full frame” era with enormously versatile coverage of the most commonly used focal lengths. Called the Premista range, the new PL mount lenses cover 28mm to 250mm, which seems to make them quite a viable option in a documentary type setting. Both lenses are […]
Tomorrow begins the BIT Broadcast at IFEMA in Madrid, where the latest developments in audiovisual technology will be shown. Among the 224 companies, from 25 countries, we can find the VCI (Video Cine Import) stand. Luis Ochoa, director of 709 Media Room, and Julio Gómez will be there showing the new […]
We would like to inform you about the extension of the early booking discounts for the Video and Digital Cinema Optics and also for the Video and Digital Cinema Photometry courses organized for the month of April. This discount is a reduction of the original price of the course […]
For some time now Canon has made the C300 and C500 simulators available to its users. Through its website we could access each of the camera’s menus and buttons. We have now added the simulator simulator has now been added, providing a first contact for those who want […]
In the daily work of the camera team we hear every day a multitude of types and brands of lenses. Zeiss, Canon, Sony, Ultraprime, Cooke, etc. Is the only difference between them their brightness, can they all deliver 4K resolution, what about 8K, what about the different “textures” of each lens, what about PL, B4 […]
Ovide, a rental company for digital cinema and television productions, has decided to increase its catalog by adding new optics and adapters. Opticians Ovide’s new bets cater to both the PL and EF mount markets. We can find optics that they already had previously, and now they have increased the quantity […]
In the daily work of the camera team we hear every day a multitude of types and brands of lenses. Zeiss, Digiprime, Masterprime, Ultraprime, Cooke, Anamorphic, etc. Is the only difference between them their brightness, can they all give 4K resolution, and 8K for UHDTV, what are the different “textures” of each lens, what is […]
Schneider Optics, a manufacturer of lenses and filters, showed during NAB its new family of fixed lenses called Xenon FF-Primes. Designed for full-frame 4K sensors (4096 x 2304), they are capable of fully covering the 45mm usable on the Canon 5D Mark III and Nikon D800 cameras, for which they are intended. […]
