With the arrival of 5G, the government has had to push for a new National Technical Plan for DTT. The 5G technology will occupy the 700 MHz band, currently used for Digital Terrestrial Television signals. The European Union established June 30, 2010 as the deadline for releasing the second digital dividend. Telecommunications companies will be […]
Every day, those of us who are dedicated to the audiovisual we encounter terms, concepts, technologies and acronyms that can make us doubt. We know that such technology is advancing steadily, by leaps and bounds, and therefore we can never stop learning. There are times when acquiring this new knowledge, necessary for our daily lives, […]
After multiple requests from students, we announce a new call for the Final Cut Pro X course. After its controversial entry into the professional world and thanks to a rapid succession of improvements in a short time Apple’s new editor, Final Cut Pro X, has carved a niche for itself in many professional editing suites. […]
In the daily work of the camera team we hear every day a multitude of types and brands of lenses. Zeiss, Digiprime, Masterprime, Ultraprime, Cooke, Anamorphic, etc. Is the only difference between them their brightness, can they all give 4K resolution, and 8K for UHDTV, what are the different “textures” of each lens, what is […]
“To get the most out of the image you need to know a lot about color correction and the photographer needs to have a greater knowledge in this area.” Jose Luis Alcaine AEC (Cameraman Magazine Nº66) Color correction has gone from being a technique handled by gurus who jealously guarded their secrets in dark rooms […]
We announce a new call for our intensive DaVinci Resolve course. After being acquired by the company Blackmagic and that this brutally reduced the price of the software (and also released a FULLY operational free version) Resolve has become the standard for many medium-high level post-production companies, being also the natural replacement of Apple Color […]
In the daily work of the camera team we hear every day a multitude of types and brands of lenses. Zeiss, Digiprime, Masterprime, Ultraprime, Cooke, Anamorphic, etc. Is the only difference between them their brightness, can they all give 4K resolution, and 8K for UHDTV, what are the different “textures” of each lens, what is […]
The creation of Sony’s F series has been another step in its race to become the new “Kodak” of digital cinema. After the exuberant F65 Sony presents two more “affordable” but equally practical models for multiple productions. This course will cover the Sony F55 and F5 models in depth, with special emphasis on the different […]
In recent years high speed has come to a multitude of cameras, from the 2000fps of the Miro to the 50fps of a Canon 7D. It is accessible to all budgets and almost all cameras incorporate it. But what is the visual difference between 1000fps and 300fps? how much light is needed to illuminate high […]
Until now in digital video it seemed that the only valid tool to evaluate exposure was the waveform monitor, leaving behind past instruments. However, since the incursion of raw video, other tools have appeared, such as false color, which also help in the work of exposure. This, together with the recent incursion of light meters […]
