Baselight is one of the most reputable color correction systems for film, television and advertising, a high-end system reserved so far only for big budget projects. However, a few months ago its manufacturer, Filmlight, decided to develop it as a plug-in for Avid Media Composer and Final Cut Pro 7 editors, keeping all the essential […]
FilmLight has been awarded a 2012 Primetime Emmy Award for its innovative Truelight color management and Baselight Transfer dailies management products. In the “Engineering” category, presented by the Academy of Television Arts and Sciences, awards are presented for significant innovations in television. However, FilmLight’s products are not limited to this area, […]
Next Wednesday, September 20, Avid is hosting a webinar on the AVX2 plug-in platform for Media Composer and Symphony. Avid’s recent journey has seen its editing systems become more open. For example, third-party hardware can now be used and native ingest from virtually any professional camera is allowed. […]
Yesterday FilmLight announced the long-awaited release of Baselight for Avid, one of the products in its Baselight Editions line, which also includes versions for Final Cut Pro and Nuke. Baselight for Avid is the result of a joint development between the two companies, and represents the availability of one of […]
FilmLight and The Pixel Farm have teamed up to market a complete digital film restoration workflow. To do so, they have formed a strategic alliance by bringing together their Baselight color correction and PFClean restoration and remastering systems. And it seems that they are […]
Last April FilmLight announced its FLIP system, which allows you to create LUTs and color corrections from the set (read more in this article). Now, we can take a closer look at the possibilities it offers by watching the first demo video they have released. In it, a tour […]
FilmLight has released the Baselight ONE “ACCESS” package, a promotion that will run through mid-September and offers Baselight ONE hardware and the latest software version for less than $50,000. With this initiative, FilmLight aims to make its high-end color correction and finishing system available to more companies. Baselight ONE, with a […]
Last April, between the 14th and 19th, the well-known audiovisual trade show NAB was held in Las Vegas. All companies and manufacturers take advantage of this moment to launch software updates, improved tools and all kinds of new products. This year’s NAB was packed with color correction news. […]
Filmlight recently decided to introduce its color correction system, Baselight, into Avid Media Composer. To this end, the corresponding presentations were made during NAB: Baselight in Avid, Final Cut Pro and Nuke; as well as the new version of the software itself, 4.3 (about which you can read more […]
We are just a few days away from NAB and FilmLight has added new additions to the line of color management and manipulation products that will be on display, starting with FLIP. It is a new system designed to work with it on set, allowing the creation of LUTs […]
