Next week, on July 1 and 2, the Baselight Online Course for Avid 4K will take place, where the latest version of the renowned editing system Avid Media Composer will be used. The v8.4 was released just two days ago, of which it is worth mentioning the possibility of creating projects with customized resolutions, being […]
Day 1 saw the official launch of ACES 1.0, designed to preserve color decisions throughout a production run. For those of you who are not yet familiar with this term, ACES stands for “Academy Color Encoding System” and in this post you have some more info about its beginnings. The “ACES Logo Program” has also […]
After a long period of testing, the beta phase of Baselight for Avid 4.4 has ended to make way for the official Mac and Windows versions. You can now find version 4.4.7293 on the FilmLight website, which comes with new features such as custom layer blending modes, integrated Truelight color spaces and new licenses for […]
Today the IBC ends and with it the demonstration of Daylight, the latest solution developed by the English company FilmLight. Daylight is a compact and powerful tool that allows color decisions to be made on set to help the director and cinematographer establish the look of the production and/or visualize what they have shot. Although […]
Since the beginning of this month FilmLight is offering its users and post houses Baselight PLUS, a new option that aims to optimize the color correction workflow. Baselight PLUS is presented as a complete package whose heart would be Baselight‘s own software, capable of real-time 4K image color correction and equipped […]
709 Media Room, in collaboration with CES Schoollaunches the first master’s degree entirely dedicated to color correction. It is the Master in Audiovisual Color and Digital Color Grading and it will be held at the CES Audiovisual Campus from April 7, 2014, with a total duration of 300 teaching hours. Here is a summary of […]
FilmLight has decided to take a step forward with the release of the Windows version of its Baselight plugin for Avid, part of the Baselight Editions series that also has versions for Mac(Avid), Final Cut Pro and Nuke. In order to meet the growing demand for color control in all post-production […]
Thanks to the efforts made by Daniel Perez, our teacher, and the colorist Alberto Cayuela, this is part of the equipment that we will have in the course of calibration and color management for video and digital cinema. LightSpace System Probe and Truelight software CineSpace System HP Dreamcolor Monitor Sony OLED monitor Probe i1 Display […]
In the course of calibration and color management , thanks to one of the professionals who will attend, we will have the Truelight system. Truelight is the color management system of the English company Filmlight, which also markets Baselight, one of the most reputable color correction systems in the industry today. Truelight is one of […]
FilmLight has introduced at NAB 2013 its new line of products for color correction and control at all stages of an audiovisual production. The company has worked to improve its creative tools, with a higher level of integration that ensures a workflow that starts on set and continues through to […]
