Until now in digital video it seemed that the only valid tool to evaluate exposure was the waveform monitor, leaving behind past instruments. However, since the incursion of raw video, other tools have appeared, such as false color, which also help in the work of exposure. This, together with the recent incursion of light […]
Nowadays, post-production workflows allow greater integration between the different programs: editing, compositing, motion graphics, 3D or color correction are just a few clicks away between the different tools used. However, being able to carry out these clicks does not mean that we know how to perform the disciplines enclosed in the different software. This […]
We are opening a new call for our advanced DaVinci Resolve course in response to the demand that many of you have made about a course on the use of the tool from the point of view of the professional colorist. We have also increased the duration listening to the requests of the students to […]
Cinematography is an art but also a technique. You have to know the language of light to be able to transmit and know what is most appropriate for each project. But how to learn this language and thus be able to communicate with light? In this course of cinematographic lighting techniques the student will learn […]
We announce a new call for our intensive DaVinci Resolve course. After being acquired by the company Blackmagic and that this brutally reduced the price of the software (and also released a FULLY operational free version) Resolve has become the standard for many medium-high level post-production companies, being also the natural replacement of Apple Color […]
After multiple requests from students, we announce a new call for the Final Cut Pro X course. After its controversial entry into the professional world and thanks to a rapid succession of improvements in a short time Apple’s new editor, Final Cut Pro X, has carved a niche for itself in many professional editing suites. […]
“To get the most out of the image you need to know a lot about color correction and the photographer needs to have a greater knowledge in this area.” Jose Luis Alcaine AEC (Cameraman Magazine Nº66) Color correction has gone from being a technique handled by gurus who jealously guarded their secrets in dark rooms […]
All professionals working in high definition deal daily with codecs, formats, media, etc. But what are the differences between them? Do we know how to choose the most convenient processes for each project or production? How do we deal with products that will have multiple destinations, windows and countries? Each choice or process can lead […]
We would like to inform you about the extension of the early booking discounts for the DaVinci Resolve Advanced and Mocha AE courses organized for the month of February. This discount is a reduction of the original price of the course for early booking. Now you will be able to enjoy this discount until the […]
We announce the call for a new course in 709 Media Room: Art Direction for Cinematographers. Establishing a good and precise communication between the photography and art departments facilitates the final success of an audiovisual work. How to improve this flow of information? How to unify the criteria of the departments to establish an optimal […]
