Have you ever browsed through the tools available on the Arri website? It’s a section (“Tools“) that features the Alexa camera simulator and a number of other resources such as the Arri Look Creator, Arriraw Converter or an app that contains a pocket guide. Now comes good news for those […]
During the week of NAB we told you only some of the most important news. So, here is a summary with more news related to the world of postproduction. Public beta of Lightworks for Mac We can finally announce the official release date of the public beta of Lightworks for […]
These days ARRI has announced that the official distribution of its latest camera designed for documentary style, ARRI Amira, will begin this April. Different configurations are available to allow users to tailor the camera to their needs. Packages include different internal options and there is also a choice of lens […]
ARRI has released the new SUP 9.1 (Software Update Packet) update, which adds high-speed DNxHD 444 recording on the Alexa XT. In the previous version, SUP 9.0, recording in this codec (Avid DNxHD 444, at 10-bit) was introduced for the entire Alexa line of cameras. Now, the change comes to […]
This tutorial, originally published by Abelcine, explains step by step how to apply LUTs on logarithmic material in various editing and color correction systems. DaVinci Resolve We will start with the color correction software developed by Blackmagic Design, since it is the one that offers the most possibilities. In […]
Navigating between the tabs on Arri’ s website we come to a section where you can find Alexa footage in all available codecs, resolutions and frame rates, as well as in spherical and anamorphic modes. All clips are shot with an Alexa XT Plus and SUP 9.0 software version. For […]
Last September ARRI surprised us with the presentation of Amira, a new camera designed for documentary style, and now we finally know its starting price. As of yesterday we can know that the camera along with the viewfinder will have a starting price of $40,000, which will be scaled up according […]
Denver Riddle, the founder of the Color Grading Central website, has developed a plugin that allows the application of 3D LUTs in Final Cut Pro X and Motion 5. Until now, the only software that allowed something similar was ColorSync. With it, you could automatically convert a logarithmic image from ARRI […]
Saul Oliveira, camera assistant in film and advertising, has posted on his website an inventory of digital camera equipment in use today. Thanks to this list we will be able to easily remember all the material we want to rent and have absolute control of the equipment we have […]
ARRI has announced SUP (Software Update Packet) 9.0 for its entire line of Alexa cameras. In addition to numerous user interface enhancements, the new software version adds several new features including more recording capabilities and encoding options, as well as expanded support for accessories. As you may know, […]
