ARRI has released the tenth software update for the entire Alexa line of cameras, ending the public beta phase that had begun in August. The company states that many of the new features included in the SUP 10.0 (Software Update Packet) have been chosen following requests from cinematographers, DITs, assistants or rental and post production […]
During IBC, Quantel was showing the latest version of its Pablo Rio color correction and finishing system. This is the sixth update of the year and provides access to the new formats that companies have been releasing in recent months. New supports With Sony cameras in mind, the import and softmount of XAVC Long Gop […]
Just yesterday we informed you about the presentation of Alexa 65, the new camera manufactured by ARRI. So, before the 6K arrives, today we leave you a clip of Alexa with the Open Gate mode so you can start practicing. The Alexa is one of the most widely used cameras in the industry and a […]
This week starts with big news: ALEXA 65. It has been introduced as a complete system by ARRI Rental, and will only be available through their rental services. ARRI Alexa 65 consists of a 65mm digital camera, a set of custom-designed fixed and zoom lenses, and new tools for efficient workflows. The camera The new […]
Today we are launching a new section, the 709 Downloads. Each week we will be uploading content captured with different cameras currently used in film and video so you can make your own tests. To start with we leave you with a clip of ARRI Amira, the latest camera developed by the German company that […]
How was your vacation? We have returned with our batteries charged to continue telling you the news concerning the audiovisual world, and we will start with those of ARRI. During August the company has released a firmware update for Alexa and output in ProRes 4K for Amira. ARRI Alexa SUP 10.0 Arri has entered the […]
The latest Final Cut update has come with the surprise of the sixth codec belonging to the ProRes family: Apple ProRes 4444 XQ. It offers 12-bit RGB encoding with a compression ratio of 1:4:5, maintaining high dynamic range color gamuts while providing speed and ease of use. As with ProRes […]
ARRI has just improved its website(arri.com) by launching Spanish and Portuguese versions. You can access them from these links: http://www.arri.com/es http://www.arri.com/br It is also possible to select the language directly from the official website by clicking on the tab in the upper right corner. ARRI has responded to the demand of its […]
Arri’ s latest camera has the ability to load 3D LUTs, allowing the look and feel of the image to be modified from the very beginning of production. While basic adjustments (ASC CDLs) could already be applied with Alexa, the Amira provides full customization. To enable users to take full advantage of […]
Tomorrow begins the BIT Broadcast at IFEMA in Madrid, where the latest developments in audiovisual technology will be shown. Among the 224 companies, from 25 countries, we can find the VCI (Video Cine Import) stand. Luis Ochoa, director of 709 Media Room, and Julio Gómez will be there showing the new […]
