In these times, we have decided to join our efforts in Roche HD and 709 Media Room to provide a new and high quality training alternative, as a result of the development of our courses. After being the pioneers in HD and color correction courses, and with the good name we have achieved with effort […]
Just a month and a half ago, Digital Film Technology (DFT), a company dedicated to film and video post-production solutions, introduced a new dailies system called FLEXXITY. Now, DFT has announced that version 1.5 of this software, on Macintosh platforms, is available for download from their website. They have […]
This tutorial shows step-by-step how to work from an ARRI Alexa with the DNxHD codec. We can see how to configure the camera and the different options of this codec are explained. We also tell you what software, licenses and plugins (and where to find them) are needed to […]
ARRI has announced its ALEXA Plus 4:3 camera, a new ALEXA model that joins ALEXA Studio and ALEXA M, which also have 4:3 sensors. According to the company, it will function similarly to ALEXA Plus. These are its main features: – Super 35 4:3 sensor. – Ability to switch from 16:9 […]
ARRI Alexa Studio was released a few months ago and now Codex Digital has announced full support for it. Codex Digital is a company dedicated to the design of high resolution recorders and media management stations for both film and television productions. One of the Codex recorders available is Codex Onboard, […]
As you know since a few versions ago Avid (Media Composer, Symphony and Newscutter) is able to link to the different types of files instead of generating its own media (importing them). This feature is done through what Avid calls AMA (Avid Media Access), the peculiarity is that the different AMAs are plugins developed by […]
On November 22nd Arri announced the SUP 5.0 firmware update for the Arri Alexa. This update, together with the purchase of a new license, will allow the trendy camera to work at up to 120fps in ProRes 422 HQ (10b) 16:9 codec. This update (which among other things will also allow recording in ProRes 444 […]
On November 7th Arri announced that its Alexa camera will now be able to record with Avid’s open codec dnxhd with MXF structure. The (paid) upgrade of the camera will be available from the beginning of next year. The first version will record with the dnxhd 145 Mb/s 8b and 22oMb/s 10b (bitrates referred to […]
It seems that the little sister of the D-21 is getting bigger and bigger and promises to unseat its predecessor. As if its original features were not enough (ISO 800, dynamic range of about 11 f-stops, logarithmic curve, RAW or Prores recording…) Arri has decided to go one step further and introduce Alexa Studio. What’s […]
