Good news for those working with Alexa Mini and AMIRA. Both cameras are now compatible with HDE technology(High Density Encoding) technology. This means a reduction in ARRIRAW file size of up to 40%. A huge advantage for any production. Going into more detail on Codex HDE technology, it is a high-density encoding technique designed for […]
ARRI has confirmed all the recent rumors about a Mini version of the ALEXA LF, which it introduced last year, by officially announcing the new ALEXA Mini LF, which will go on sale this summer. It’s basically what the name itself says about it: a camera with the large-format ALEXA LF sensor inside an ALEXA […]
The control of the cameras through a smartphone is a reality. Arri has at its disposal the Pocket Control. An app has been developed from iOS (version 9 or higher is required) to establish a monitor and control of the camera settings, both Arri Alexa Mini and Arri Amira (SUP 5.1 or higher). It is […]
The German film equipment supplier ARRI, in addition to taking advantage of IBC to celebrate its 100th anniversary, has also used the festival to present its new accessories for film cameras. SRH-3 On the one hand, we find the SRH-3a three-axis stabilization head remotely controllable by means of a joystick based on the ARRI SRH-3 […]
Pomfort has released a free update for Silverstack, its media management software. With version 5.1, ScopeBox integration, AJA device support and new format support are added. ScopeBox is a tool designed by Divergent Media thanks to which users will now be able to perform light and color analysis of their images. In addition, as […]
Amira users will be happy to hear that as of just a couple of days ago they will be able to capture their images using the latest codec in the ProRes family, ProRes 4444 XQ. The company has released SUP 3.0 (Software Update Packet) for Amira cameras with more recording modes and other new features. […]
ARRI has released SUP(Software Update Packet) 3.0 for its Alexa Mini camera. The improvements and new features are as follows: Stop Motion mode Intervalometer, for better timelapse recordings. Tuning sensor in the CT input signal, to make synchronization with a time code source more durable. Beta recording mode in 4:3 ProRes 2.8K and 2x anamorphic […]
