Leandro Quintas, student of the Online Course on Codecs, Formats and HD and 4K Workflows

Clarity and experience of its teachers. Great professionals in the sector and eager to continue
learning.







Now also available in Spanish ๐Ÿ‡ฌ๐Ÿ‡ง

Learn how to calibrate your monitor for color and audiovisual postproduction using professional software and probes!

We will see examples with low-cost software and full versions so you can calibrate your monitor and rely on it.

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Original price was: 99,00€.Current price is: 49,00€.

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Often when working in professional video color and post-production, we must judge the images we generate on monitors of varying budget and quality. But how do we know if these monitors are correctly adjusted to be reliable?

The calibration process will allow us to bring these monitors to the standards we are working with (Rec709, sRGB, etc.) so that we can use them confidently for color work.

But where do we start calibrating a monitor? Is the built-in auto-calibration sufficient, or should we go further? What equipment do I need and how much does it cost? What are the steps to follow? Is a calibration LUT always necessary? Do the processes change depending on the programs I use?…

In this course, we will explain the technical processes that must be followed to calibrate a monitor from start to finish. On one hand, we will lay the foundations applicable to any calibration program, and then perform real practices of a monitor calibration process with ColourSpace ZRO, ColourSpace INF, and LightSpace. We will also exemplify the processes with CalMan.

We will work with different solutions to be able to give examples of professional calibration at low cost.

We will explain the processes of manual profiling with calibration charts, synchronized patch measurement for full profiling, creation of a calibration LUT and generation of a confirmation report. We will see a complete Rec709 calibration of the Eizo CS240 monitor.

This course is oriented towards calibration of “client” monitors for use in color and audiovisual post-production (video monitors connected to the computer through an I/O video card) and does not fully cover the calibration of monitors connected to the computer through the graphics card (photography with Photoshop, full-screen video on a second UI monitor, etc.), although it can also serve as guidance for this type of calibration.

An excerpt

Program

  • During the course we will cover the following points, exemplifying each step:
    • Examples of professional audiovisual calibration.
    • Characteristics of the calibration performed in the course: Rec709
    • How to carry out the calibration process at low cost?
    • Difference between photo and video calibration.
    • Difference between “client monitor” and “user interface” monitor.
    • Main characteristics of the monitors.
    • Example of the monitor used in the course: Eizo CS240.
    • Steps in professional audiovisual calibration on customer monitor.
    • Initial manual profiling.
    • Full synchronized profiling with pattern generator.
    • Generation of calibration LUTs.
    • Approximate costs of the elements of a calibration.
    • Common monitor menus .
    • Legal and extended range in monitoring.
    • ColourSpace ZRO for manual profiling
    • ColourSpace INF for full profiling and LUT generation
    • Creation of calibration reports
    • Example of calibration in LightSpace
    • CalMan calibration example

Objectives

  • Carry out a complete calibration process on a client monitor for color and audiovisual postproduction.
  • To understand the concepts applicable to any calibration program.
  • Learn how to distinguish calibrable monitors and how far to go in the calibration process for each one.

Teaching Staff

ficha IMBD

Luis Ochoa | Director de Postproducciรณn de Imagen.

Luis Ochoa es director de postproducciรณn de imagen en XPost (Grupo Secuoya). Colorista DI senior con mรกs de 15 aรฑos de experiencia y diseรฑador de flujo de trabajo 4K HDR.ย  Ha entregado numerosos largometrajes, series y documentales a salas de cine y plataformas como Netflix, HBO, Movistar+, VIX+, Disney, Amazon...
Su experiencia profesional previa como director de fotografรญa y montador de cine le han proporcionado una visiรณn global del proceso tรฉcnico de creaciรณn audiovisual, que emplea a la hora del diseรฑo de flujos de trabajo desde cรกmara hasta master final. Posee ademรกs las certificaciones Avid ACI (Certified Instructor) y Sony ICE (Independient Certified Expert) y colabora con mรบltiples compaรฑรญas como Arri, Sony, Panasonic, Canon, SGO, Filmlight, etc. Es experto en monitores HDR Canon y Sony. Terminรณ recientemente el Master en Producciรณn Ejecutiva de Cine y Series de la ECAM Hay ejemplos de su trabajo y bobina en su ficha IMDB y perfil LinkedIn

Aimed at

Post-producers, colorists, post-production coordinators, editors, compositors and VFX editors, directors of photography, DITs, and in general anyone who wants to know the technical processes of professional monitor calibration for audiovisual. This course does not explain all the processes to calibrate a monitor for photography (e.g. Photoshop) or a monitor connected to the computer by the graphics card (user interface monitor), although many of the teachings are also applicable.

Materials

The course includes downloadable materials as part of the course: Rec709 manual profiling chart and synchronization patches in ColourSpace ZRO and Display Pro probe adjustment files.

Do not use Google Chrome to download the course materials. This browser blocks .zip files and will not allow you to download them. There’s no problem using it for the videos.

+ Info

EQUIPMENT USED: The concepts in this course are applicable to any client monitor calibration program for video. The course uses mostly Light Illusion software(ColourSpace ZRO, ColourSpace INF, LightSpace) and an example is made with Portrait Displays CalMan. The Calibrite Display Pro HL. probe and its possible referencing to the X-Rite i1 Pro are used.

Are you interested in our course? Do you need more information? Contact us at info@709mediaroom.com and we will solve all your doubts!

Course code: CO-CAL-GEN15

FAQ's

Son cursos en video para que descarguรฉis y tengรกis permanentemente en vuestro ordenador

La mayorรญa de los cursos a la carta incluyen materiales de apoyo: archivos de video profesionales para practicar y/o documentaciรณn extra. Los podrรฉis descargar junto a los videos.

Todos los cursos emplean programas que cuentan con versiones gratuitas y/o de evaluaciรณn (trial) En la ficha del curso tendrรกs enlaces para la descarga de los necesarios.

El proceso de compra se hace siguiendo los pasos del propio sistema:
โ€ข Al clicar en โ€œComprarโ€ te llevarรก a la pรกgina de โ€œDatos de facturaciรณnโ€ para que rellenes tus datos personales.
โ€ข Si ya dispones de una cuenta de usuario en la web, podrรกs introducir tus datos de acceso en la parte superior.
โ€ข Despuรฉs te aparecerรก la pรกgina de โ€œResumen y pagoโ€ para que compruebes que todo estรก correcto y donde debes aprobar los tรฉrminos y condiciones de los cursos 709.
โ€ข Una vez en Paypal, puedes pagar con cualquier tarjeta de crรฉdito o dรฉbito o tu cuenta Paypal. Tambiรฉn puedes pagar con tarjeta empleando pasarela Stripe.
โ€ข Efectuado el pago, recibirรกs un correo confirmando desde Paypal o Stripe y otro correo de 709MR donde se encontrarรกn los enlaces de descarga de los vรญdeos.
โ€ข Tambiรฉn tendrรกs acceso a los links de descarga desde tu cuenta de usuario de 709MediaRoom. (*Sรณlo tendrรก acceso a esa pรกgina el usuario con el que se haya efectuado el pago del curso.)
โ€ข El acceso a las descargas de los vรญdeos del curso estarรกn disponibles durante un mes desde la fecha de compra.

โ€ข Tienes la factura de compra en tu cuenta de 709MediaRoom y adjunta en el correo de los links de descarga.

No uses Google Chrome para descargar los materiales del curso. Este navegador bloquea los archivos .zip y no te permitirรก bajarlos. Con los videos no hay problema en usarlo.

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