This week we have prepared for you this LUT called “Buff Orange”, due to the same color of the Pantone guide. It was created on logarithmic material, so if you want to use it with clips that are already in the Rec. 709 color space you will have to make some contrast adjustments first. It […]
Today we have four clips recorded with Sony’s a7S camera. This model has a 35mm, 12.2MP CMOS sensor for photography and video. It is capable of capturing UHD (3,840 x 2,160) and has an E-mount interchangeable lens system. The four clips that you can download in “The Best of 709” are all H.264 files with […]
Today we have left in the download page (“The best of 709“) several clips recorded with the Sony FS7 camera. This model has a 4K CMOS Super 35mm sensor capable of capturing 4K RAW and 2K or XAVC files. One of its qualities is that it can record internally up to 180fps in Full HD […]
Taking advantage of the return of the acclaimed Game of Thrones series, I created this LUT in honor of the exteriors of The Wall. Starting from a logarithmic material, you will see that the image obtained has a high level of contrast and a cyan shift, so if you have characters in the scene you […]
After Rafa Roche’s great explanation of the Panasonic Varicam 35 and its most important options in the first part of this review, it’s my turn to talk about workflows and color correction processes with the camera’s material.
Today we finish this batch of files from the VariCam 35 that we have been offering you during the last days. If you go to the“Best of 709” tab, you will find in the Panasonic section a lot of tests made with this camera. In this case it’s the turn of the skin tests, where […]
We continue posting the camera tests made with the VariCam 35 so that you can enjoy practicing with them. This time it is the turn of four latitude tests, with which you will have the opportunity to see the dynamic range of this camera and all its possibilities. Except for the first file (corresponding […]
If you want you can download two more clips recorded with the Panasonic VariCam 35 camera. Both were captured using the AVC Ultra codec, a resolution of 4096 x 2160 and a speed of 25fps. These two outdoor clips join the files of the same camera with Dual ISO and with proxies, already existing […]
We hope you have rested and recharged your batteries during the vacations. We invite you to read this small personal review of one of the new digital cinema cameras: the Panasonic Varicam 35. We have been lucky enough to test the new Panasonic Varicam 35 camera and to collaborate in one of its first presentations […]
Last week we showed you some clips from the VariCam 35 using the two native ISOs available on the camera. Today, we continue with the same model but giving way to another of its qualities, the possibility of capturing the “normal” file in high and a proxy with a color correction included. As you will […]
