Today we have left you in our section “The best of 709“two clips recorded with the Canon 5D Mark II and Mark III cameras. Canon’s popular DSLRs do not originally record in RAW, but their native format is H264 (.MOV), so to achieve this, Magic Lantern firmware was used during the recording of these clips. […]
Today instead of posting a LUT we have switched to DaVinci Resolve PowerGrades, because they offer the possibility to save masks and perform more complex color effects. Of course, you can only use them in DaVinci Resolve. The PowerGrade “Field Day” is characterized by enhancing the blue color of the sky and bringing warm […]
Today we have left you in our section “Best of 709“a link to two clips recorded with the Production Camera 4K, from Blackmagic Design. This camera has a 35mm sensor, global shutter and EF and ZE mounts. File recording can be done in CinemaDNG RAW or ProRes. The clips we have posted today were recorded […]
Up to now, practically all the files we have been leaving you of Alexa and Amira are recorded in ProRes 422 HQ. That’s why today you can download them from the section “Best of 709“section, this ProRes 4444 clip of Amira, the camera originally designed by Arri for documentary style. This clip was captured with […]
After Nab 2015 and the new features that it has brought I have updated the video codecs table that many of you may already know. I have removed some already obsolete ones (although I have resisted to remove the SD ones because they are still sometimes seen out there), I have updated the 4K ones […]
Today you can download through Red 709 this LUT called Melancholia. As you can see in the photo below, it is a very unsaturated style with some warm tones that remind us of a bygone time. The LUT has been created from a logarithmic material, so you will have to adjust the contrast beforehand if […]
As you know, the ARRI Alexa camera is capable of capturing images in ARRIRAW (its RAW format) or using Apple’s ProRes family of codecs (it is also possible to record in DNxHD). For this reason, starting today we offer you the opportunity to download three clips of each format through our“Best of 709” section. When […]
Last Tuesday we left you in our section “The best of 709“a ProRes 422 HQ file from the Blackmagic URSA. Now we have posted another clip from the same camera but in CinemaDNG, which means that you will be able to test the RAW obtained with a 16bit color depth. This file has a 4K […]
Today we have left you in Red 709 a LUT called “Hyde Park” that, placed on a material recorded in cold weather, reminds us of those gray days in the British capital. It has been created from a logarithmic file and has quite a lot of contrast, as well as slight shifts in highlights, lowlights […]
The Blackmagic URSA is one of the cameras designed by that company with a larger format than the rest of its peers aimed at digital cinema recording. It has a 4.6K Super 35 sensor, capable of up to 4608 x 2592 resolution. Among its most outstanding features are 15 stops of dynamic range, 12G-SDI and […]
