In the course Calibration and color management for video we will compare the two versions of one of the most reputable monitors: the HP Dreamcolor. The new Z24 and the previous LP2480. A unique opportunity to see the evolution of this benchmark equipment in professional color correction environments. There’s still time to sign up! Here […]
En el curso Calibración y gestión de de color para vídeo compararemos las dos versiones de uno de los monitores más reputados: el HP Dreamcolor. El nuevo Z24 y el anterior LP2480. Una ocasión única de ver la evolución de este equipo referente en los entornos profesionales de corrección de color. ¡Estás a tiempo de […]
To finish the week I have left you a link in the section of Downloads which contains several clips recorded with a Canon 5D Mark II. The 5D Mark II is the predecessor model to the Mark III, both of which are recognized DSRLs from Canon. The main differences between them are that the Mark […]
Para terminar la semana os he dejado un link en la sección de Descargas que contiene varios clips grabados con una Canon 5D Mark II. La 5D Mark II es el modelo anterior a la Mark III, ambas reconocidas DSRL de Canon. Las principales diferencias entre ellas son que la Mark III cuenta con un […]
The black and white treatment not only consists of removing saturation from the image, but can also have a slight color tone even if it is not visible to the naked eye. This week you will find in Red 709 a LUT called“Night B&W“. This is a black and white style with a slight magenta […]
El tratamiento en blanco y negro no solamente consiste en quitarle saturación a la imagen, sino que puede llevar un ligero tono de color aunque no se aprecie a simple vista. Esta semana encontraréis en Red 709 una LUT llamada “Night B&W“. Se trata de un estilo en blanco y negro con un ligero virado […]
For the course Calibration and color management for digital video Eizo leaves us the high-end model Color Edge CG277 with autocalibration. These models to cover the full gamut of rec709 and much of the DCI-P3 are becoming a great alternative to SDI monitors in color and postproduction rooms. A great opportunity to see and […]
One of the functions that can be found in the RED Epic camera is HDRx recording. This capability allows us to take full advantage of the 18 stops of dynamic range to control the level of exposure in critical situations where we have a part with a lot of light and another area of the […]
Ceproma will lend the Sony FS7 during the course Digital Cinema Cameras that we will hold from December 15 to 19. This innovative camera provides great ease of use due to its small dimensions without sacrificing quality, for which it has a 4K Exmor CMOS Super 35 mm Super CMOS sensor. Its lightweight and ergonomic […]
Ceproma cederá la FS7 de Sony durante el curso Cámaras de cine digital que realizamos del 15 al 19 de diciembre. Esta innovadora cámara proporciona una gran facilidad de manejo por sus reducidas dimensiones sin renunciar por ello a la calidad para lo que cuenta con un sensor 4K Exmor CMOS Super de 35 mm. Por su diseño ligero […]
