Title Pop is a collection of 50 plugins, developed by Stupid Raisins and CineFlare, for text and title creation on the Final Cut Pro X editing system. What is interesting is the wide variety of animations available and the ability to make titles totally unique and personal thanks to advanced […]
Title Pop es una colección de 50 plugins, desarrollados por Stupid Raisins y CineFlare, para creación de textos y títulos sobre el sistema de edición Final Cut Pro X. Lo interesante es la gran variedad de animaciones disponibles y la capacidad de hacer los títulos totalmente únicos y personales gracias […]
After a year with version 11.0 of Lightworks for Windows, now comes the 11.1 update, whose main new features affect its Pro version. The big news is that the licensing system has been changed, replacing HASP with the new ELS(EditShare Licensing System). The Lightworks team has made this decision because […]
Tras un año con la versión 11.0 de Lightworks para Windows, ahora llega la actualización 11.1, cuyas principales novedades afectan a su versión Pro. La gran noticia es que se ha cambiado el sistema de licencias, sustituyendo el HASP por el nuevo ELS (EditShare Licensing System). El equipo de Lightworks […]
I value as a very interesting experience working as a colorist for clients from other cultures: it enriches the difference in perceptions and makes you aware of what seems to be common in human taste. My job is to “beautify” an image (making it compliant with Broadcast or DCI standards is a plus that I […]
Codex Digital has developed a new version of its The Vault station, which will be on display between May 31 and June 2 at Cine Gear 2013. Since its introduction in 2012, Codex Vault was intended for media management environments, with functions for copying, archiving, notification and dailies creation, even allowing […]
Codex Digital ha desarrollado una nueva versión de su estación The Vault, que se mostrará entre los días 31 de mayo y 2 de junio en el Cine Gear 2013. Desde que se introdujo en 2012, Codex Vault fue pensado para entornos de gestión de media, con funciones para la copia, archivo, […]
Valoro como una experiencia muy interesante trabajar como colorista para clientes de otras culturas: te enriquece la diferencia de percepciones y te hace ser consciente de aquello que aparenta ser común en el gusto humano. Mi trabajo a grandes rasgos consiste en “embellecer” una imagen (hacer que cumpla normativa Broadcast o DCI es un plus […]
From AbelCine comes this tutorial on monitor calibration, and more specifically on white point adjustment using an X-Rite probe and Sony monitors. As English is not a strong point for many of you, here is the step-by-step tutorial: The term “Auto White Balance” usually reminds us of that […]
Assimilate and Studio Daily have organized a free webinar named as “Shooting, Color and Post with the Sony CineAlta F5, F55 and F65“. Bringing it will be cinematographer Tomas Tucker and Alex MacLean, colorist at Colorflow. They will explain their experience in an in-depth camera test of the Sony CineAlta family. […]
