Regardless of the medium used (photochemical, HD, 4K, etc.) every cinematographer faces in each production a series of decisions, prior to shooting, that will be vital in the aesthetics of the future work. From the choice of the type of photography or style in conversations with the director or the art director to the more […]
Here is a list of some of the upcoming professional audiovisual courses that we will be organizing at 709 Media Room next term. From September you can find calls for our already consecrated courses of HD color correction (in which we teach the theory of color correction common to all software and tools), DaVinci Resolve […]
Os presentamos un listado de algunos de los próximos cursos audiovisuales profesionales que organizaremos en 709 Media Room el próximo cuatrimestre. A partir de Septiembre podréis encontrar convocatorias de nuestros ya consagrados cursos de corrección de color HD (en el que se enseña la teoría de corrección de color común a todos los softwares y herramientas), […]
Independientemente del soporte utilizado (fotoquímico, HD, 4K, etc) todo director de fotografía se enfrenta en cada producción a una toma de decisiones, anteriores al rodaje, que serán vitales en la estética de la futura obra. Desde la elección del tipo de fotografía o estilo en conversaciones con el director o el director de arte hasta […]
All professionals working in high definition deal daily with codecs, formats, media, etc. But what are the differences between them, do we know how to choose the most convenient processes for each project or production, how do we deal with products that will have multiple destinations, windows and countries? Each choice or process can lead […]
Todos los profesionales que trabajamos en alta definición tratamos a diario con codecs, formatos, soportes, etc. ¿Pero cuáles son las diferencias entre unos y otros?¿sabríamos elegir los procesos más convenientes para cada proyecto o producción?¿cómo tratamos con productos que tendrán múltiples destinos, ventanas y paises? Cada elección o proceso puede suponer una merma de la […]
We open a new call for our advanced digital cinema course RAW Vs LOG organized by 709 Media Room and Rafa Roche. Is shooting in RAW the same as shooting in logarithmic? what is the difference? does it influence the dynamic range of the image? what is the workflow in each case? how do we […]
New call for our advanced After Effects course. Exploring useful techniques for editors and compositors. Adobe After Effects is considered in professional post-production environments as a useful “Swiss army knife”. With this powerful cross-platform program you can develop multiple applications in the field of visual compositing, motion graphics, color correction… Its timeline-based environment also makes […]
New call for the Speedgrade and color correction course in the Adobe CS6 suite. At the last Nab Adobe presented the new version of its popular professional editing and post-production suite: Adobe Creative Suite CS6. One of the main new features of the suite has been the incorporation of color correction software formerly known as […]
The public beta of Blackmagic Design‘s color correction system, DaVinci Resolve 9, is now available for free download. This update was announced during NAB 2012, and among its new features was the completely redesigned user interface to increase the performance and speed of the user’s work. In this article you […]
